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27.5.–
1.6.2025

9. Vienna Shorts

Pushing the boundaries

For one time only in 2012, VIS took place in the largest single-seat cinema in the country, shortened from seven to five festival days: In cooperation with the Viennale, we brought more than 150 international short fiction and documentary films, animations and experimental works to the 120 square meter screen of the Gartenbaukino. A few days before the ninth festival edition started, we rang in the short film week with the Air Bed Cinema as our popular version of Expanded Cinema.

The focus theme Pushing the Boundaries was implemented with four programs dealing with perversion and subversion, provocation and censorship, corporeal cinema and the influence of commerce on art. In addition, a conference at the Austrian Film Museum on the 50th anniversary of the Oberhausen Manifesto, entitled “Provocation of Reality,” invited the audience to a theoretical examination of the short form and cinematic attempts at renewal. At the closing event “Night of the Light”, short films on the topic of energy were shown, which had been created for the first treatment and production competition of VIS and Wien Energie.

Behind the scenes:
Benjamin Gruber took over the management from interim manging director Barbara Schubert. Under head of prints Tobias Greslehner, the festival made the switch to DCP as the main screening format (alongside 35mm and 16mm). And: VIS acted as a founding member of the Forum of Austrian Film Festivals (FÖFF), which was presented at the Viennale 2012.

Program brochure 2012

Pocket guide 2012

Video: Opening & Award ceremony 2012

FIDO FICTION & DOCUMENTARY – INTERNATIONAL COMPETITION

AA ANIMATION AVANTGARDE – INTERNATIONAL COMPETITION

ÖW AUSTRIAN COMPETITION

VIENNA SHORTS Special Awards

Prix très chic pour le film le plus extraordinaire
se 2011, 14 min

NIGHT OF THE LIGHT Special Awards

TRAILER & ARTIST IN RESIDENCE

ARTIST IN RESIDENCE

Robert Seidel (DE)


TRAILER


VIS Trailer 2012


(Jan Soldat, DE 2012, 00:36 min)

A man screaming in the woods, without inhibitions and for no apparent reason, but at full volume: Rarely has an emotional act had something as liberating and at the same time as alienating as the loud scream, and rarely has a trailer divided our audience as much as Jan Soldat’s barely 40-second piece. The filmmaker’s controversial films—including the animal love doc “Geliebt” and “Zucht und Ordnung,” about the sexual practices of an elderly gay couple—have attracted a lot of attention at the Berlinale, among others, but also at VIS. Its trailer heralded not least the focus on “Pushing the Boundaries”.